Dance in Devon Board
Meet Our Board
Although never a dancer myself I’ve always had a deep fascination for dance and for almost fifteen years co-directed a dance-theatre company based in England and Ireland. Devon is also my home and always has been despite having lived in many places across the world. I have been involved in Dance in Devon at various stages of its life as a dance organisation, always inspired by the breadth of its reach, its passion for dance in many forms, its support for young and not-so-young artists, and its deep commitment to Devon. This is my second stint as Chair.
Richard is a producer, educator and researcher, working as a consultant with organisations across the UK. He is also the Founding Director of art.earth (artdotearth.org) and a co-Director of the Centre for Contemporary Art & the Natural World. Previously, he was a founding Director of rural contemporary arts organisation Aune Head Arts, and artistic co-Director of dance-theatre company half/angel.
Creative work centres on sound: particular interests at the moment are radio and sound-as-story, and on poetics: with a particular focus on place and the natural world. He has also spent many years composing for contemporary dance, particularly for half/angel. Richard bends circuits, and has a long-standing interest in sensitive interfaces and installed sound sculpture, as well as sound in dance performance contexts.
He has worked in many capacities within academia, including holding Senior Research Fellowships at Middlesex University and Dartington College of Arts. He was also Director of Contemporary Music at Oberlin Conservatory in the US in the 1990s. He has a PhD from Plymouth University, is a Fellow of the Royal Society of Arts, and is currently Visiting Research Professor at Ulsan National Institute of Science & Technology in S. Korea.
He lives in Devon, near the sea.
I’ve been a member of Dance in Devon almost from the minute I moved to the region. Before I came onto the Board, the organisation helped me to get networked with all the great dance activity that happens in Devon and to find my place in the dance family here. In the current climate, I’m a passionate advocate for the power of dance to counteract 21st century problems. I also believe that dance can ignite anyone’s sense of themselves and their sense of belonging in an embodied and aesthetic way – this is what makes dance unique and everyone in Devon (and beyond) deserves the chance to experience it!
Kerry is a Senior Lecturer in the Graduate School of Education at University of Exeter, where she leads the MA Education Creative Arts specialism and provides dance expertise to the course. Kerry also co-leads the Centre for Creativity, Sustainability and Educational Futures and is a PhD and EdD supervisor. Her research includes creativity in arts, science and interdisciplinary education and educational futures, alongside participatory research methodologies. Kerry continues to work as a dance-artist within Exeter-based dance lab collective, and also carries out freelance arts education research and evaluation with clients such as Attik Dance, Siobhan Davies Dance, the BBC, Trinity Laban Conservatoire and Swindon Dance.
Dance inspires me, engages me, makes me feel well, makes me happy, makes me see things differently, so living and working in Devon, the more dance that’s here in the region the better! That’s why I’m honoured to sit on the Board of Dance in Devon and work together to make inspire, celebrate and develop high quality dance that benefits the people of Devon and beyond.
Lara is the Director of Coombe Farm Studios, a producer-led rural centre in Devon dedicated to growing creativity. Prior to running Coombe Lara spent time living in Vietnam where she worked for a social enterprise, supporting schools and village potters. On returning to the UK she spent 7 years in London working at Contemporary Applied Arts, the Rebecca Hossack Gallery, the British Council and Visiting Arts. Having grown up in Devon she wanted to return to a place and community that she loved and her arts career continued as she worked for 12 years as a programmer and producer of live performance for the Dartington Hall Trust. Lara took over the day-to-day running of Coombe Farm Studios in 2012 alongside her Dartington work and left Dartington in 2015. She now lives and works at Coombe full time with her husband and two children. Lara is a Trustee of the Devon Guild of Craftsman and a Board Member of Dance in Devon.
I’m interested in where community dance intersects with professional dance and how talent development sits inside of that, I look forward to supporting Dance in Devon in their commitment to providing varied and meaningful dance opportunities to all.
Dan is a UK-based established, disabled artist training at the Flinders University Drama Centre in Adelaide, Australia, Dan has worked with Restless Dance Theatre (AUS), Australian Dance Theatre (AUS), Force Majeure (AUS), FRONTLINEdance (UK), Scottish Dance Theatre (UK), balletLORENT (UK), Candoco Dance Company (UK) and Skånes Dansteater (SWE). Throughout his performance career, Dan has worked with Kat Worth, Garry Stewart, Kate Champion, Janet Smith, Adam Benjamin, Wendy Houstoun, Sarah Michelson, Rachid Ouramdane, Nigel Charnock, Matthias Sperling, Marc Brew, Claire Cunningham and Javier de Frutos.
Continuing to work at the forefront of dance and disability in the UK, Dan has commissioned two new solo works by Sweden-based choreographers – BEAST by Martin Forsberg and ON ONE CONDITION by Graham Adey. BEAST previewed at the Swedish Performing Arts Biennale in May 2015, before premiering at Brighton Dome and Greenwich Dance in November 2015. BEAST was also presented as part of British Dance Edition 2016 in Cardiff. ON ONE CONDITION premiered in Sweden at Skanes Dansteater in September 2015 and in the UK at the Attenborough Centre in May 2016.
Dan’s excited by work that asks questions rather than provides answers. For him, theatre and dance are art forms that have the potential to transcend expectation; to present audiences and the theatre and dance ecologies with an alternative as if to say, “Or there’s this”. Dan is interested in producing “displays of practice” with the exciting prospect that they can either “succeed” or “fail”. His work supports that both “success” and “failure” are valid and interesting. It supports that “success” and “failure” are actually the same thing and the difference between them arises through the perception of an audience.
I always enjoyed working with Dance in Devon during my time at the Arts Council, where I worked closely with colleagues to raise the profile of dance in the region. I was delighted to then join the board, to play a part in supporting the organisation to create opportunities for dance to enrich the lives of all sorts of people – dance professionals, children, students, older people, and anyone who wants to improve their creativity and wellbeing through movement.
Gillian Taylor is an experienced communications professional working in the cultural sector. She has a broad range of communications skills including media relations, marketing, digital content creation, audience development and advocacy.
Since setting up Gillian Taylor PR in July 2013, Gillian has worked with a range of clients including Exeter’s Royal Albert Memorial Museum & Art Gallery, CEDA (Community Equality Disability Action), Daisi, Somerset Art Works Festival and the All Party Parliamentaty Group on Arts, Health & Wellbeing.
As the communications lead for Arts Council England in the South West for 15 years, she worked with artists and arts organisations across the region and further afield. As part of the Maritime Mix team, she worked on the communications and marketing of Cultural Olympiad events in Weymouth. Amongst other achievements, she gained regional, national and international coverage of Sue Austin’s underwater wheelchair project ‘Creating the Spectacle!’.
In addition to her communications expertise, Gillian plays the violin and is a paper artist. She has an interest in the environment and previously worked at the University of Southern Denmark researching the connections between people and nature.
Gillian is also a member of the boards of Exeter Northcott Theatre and Arts & Health South West.
It is a real privilege to serve as a Board Member for Dance-In-Devon and to witness the diverse, life-enhancing and boundary-breaking projects undertaken by this forward thinking, dynamic and inspiring organisation. As Director of The Plough Arts Centre in Great Torrington – which is a Base for Dance-In-Devon – I try to bring the perspective of a rural arts venue to the Board meetings and to encourage Dance In Devon to keep building relationships with artists, audiences and participants by enhancing dance provision far and wide across the county. I really appreciate Dance In Devon’s success in proving that ‘culture makes communities’ across Devon and in doing so they seem to bring this huge county closer together.
After graduating with a degree in drama/inter-arts from Bretton Hall College in 1984, Richard worked in theatre-in-education, youth theatre and community theatre companies in Manchester, Birmingham and Cheshire for fifteen years before becoming Arts Development Officer at The Plough Arts Centre in 1999 prior to becoming Artistic Director in 2002. He has led a team of 70+ staff, volunteers and democratically elected Council of Management members who have together strengthened the artistic vision, the economic sustainability, and the community impact of the venue to the point where it is has just won a national award and is now regarded nationally as a thriving self-sustaining arts venue.
Richard is married with two grown-up sons and lives in Bude Cornwall, where in his spare time he runs the Bude Youth Theatre and is chair of Connect Bude, an organisation set up in Oct 2016 to campaign to reconnect Bude and Holsworthy to the National Railway Network.